Back to Tribeca?

Great news today from TriggerStreet.com: Catch was chosen as one of the four finalists for their third festival! When Displacement got the same honor back in 2004, it translated into a free trip to the 2005 Tribeca film festival, with lots of Budweiser. And a computer bag I use to this day. There were four nominees from this set of 50, and Catch is the only animated one. So that's fun.

It was an especially exciting honor to have my name read by Kate Bosworth on the TriggerStreet TV video blog/podcast.

A night out, fascinating conversation

Okay, here are a few things I talked about with some friends tonight and thought I'd share more broadly.

• The Variety Show, friend and former student Kevin's video blog
• Bill Bowles, Interactive World Traveler, friend and former student Bill's video blog
• Some crazy spambaiter stories
• A neat abstract Bob Sabiston video
• A funny Bill Gates vs. Steve Jobs cartoon
  

And here are things I heard about but haven't checked out yet:

• The TED talks
• Korsakow-System (for producing database narrative films)
• Textpattern, a web content management system
  

negative frames in shake

I once again post this for future web searchers who cannot find the answer they seek.

The problem I faced today grew out of the fact that some of our Maya scenes dip into negative frame numbers. RenderMan handles these reasonably well, outputting images with the following style of frame numbering:

frame.-0001.tif
frame.0000.tif
frame.0001.tif

shake, as far as I can tell, seems to expect the negative sign to fit within the padded width. In other words, it's looking for:

frame.-001.tif
frame.0000.tif
frame.0001.tif

After trying a few clumsy solutions, I ended up using conditionals in shake to manage this. Here's what my SFileIn nodes used to look like:

surfLayer=SFileIn("u1_12.surfcolor.#.tif");

(The # in shake implies 4-padding)

Now they look like this:

surfLayer=SFileIn( time < 0 ? "u1_12.surfcolor.@@@@@.tif" : "u1_12.surfcolor.#.tif");

This seems to import prman-made tiffs just fine. For some reason, I used a different format on the output line. I can't recall if I had to or if I was just experimenting, but either way, this works:

outp=FileOut(a,time < 0 ? "u1_12_comp.%05d.tif" : "u1_12_comp.#.tif","Tiff","rgb");

Hope this is helpful to someone, somewhere, sometime!

"Catch" in Tiburon

"Catch" has a time and day now at the Tiburon International Film Festival. 11:10am, Sunday March 25. It's part of an animated shorts program.

I'm worried that the time and day of this program will attract parents with their little kids. From the thumbnails of some of the films, I don't think they're all going to be kid-friendly. I think a lot of festivals do this still with animated shorts: assume they're all for young people and schedule them that way. Well, I haven't seen all the films so I can't say for sure, but the guy with a gun to the back of his head sure doesn't feel preschool to me.

simple dynamics in MEL

I've often wondered how to build an expression in Maya/MEL that would implement some simple dynamics. For instance, if I want an attribute to be dependent on an object's velocity, how can I get the velocity?

I learned yesterday that you can use the "keyframe" command within an expression to query for the value of an animation curve at a different time.
This isn't an ultimate answer, but it provides a good tool to getting closer.

So here's some code for determining the frame rate of change of an attribute. In this case, pSphere1's tx attribute.

// get the previous frame
$newt = frame - 1;

// query pSphere1's tx anim curve from that frame
$oldx = `keyframe -at tx -t $newt -q -eval pSphere1`;

// this is ugly, but it turns the array result into a float.
// someone please show me how to do this "properly"!
float $ox = $oldx[0];

// now compute the difference
$delta = $ox - pSphere1.translateX; 

(and now for search indexing, since these are the keywords I was searching for to find this answer: velocity mel expression dynamics)